ÉRIC THÉRET / CONTEMPORARY SCULPTUREFRANCE · INTERNATIONAL ✳
06 / ÉRIC THÉRET
MATTER IN MOTION

Videos

From a sculptural model, videographer Maxime Gerfault of GFT Production gives the work a monumental life.

—DISCOVER
01 / FILMGFT PRODUCTION
ÉTThe Tower of SpeechPlace the MP4 in media to enable playback
SCULPTURE / FILM

The Tower of Speech

Four volumes of black granite, rigorously aligned with the four cardinal directions, form a tower. Between them, narrow slits allow light to enter.

At the top, a circular opening, like a well turned towards the sky, admits another kind of light — more vertical, more intimate.

In one of the corners, a human silhouette carved out of the solid mass creates an entrance. One can step inside.

Within, the space narrows and then opens out. The body finds its place there, and so does the voice.

Here, one can speak.

Speak of joy, anger, sadness, dreams, fears, poetry. Simply express whatever moves through us. Carried by the space, the spoken word meets the granite walls, strikes against them, resonates and returns to the person who uttered it.

The mass of the granite thus amplifies human expression.

The Tower of Speech is a place for speaking, but also a place for listening: listening to one's own voice, allowing it to resonate, perhaps discovering it in a new way.

The light entering through the slits and the opening at the top accompanies this experience. It reminds us that even at the heart of a material as dense and silent as granite, there is always a passage for light.

To enter the tower is to enter a space where matter lends strength to words, and where, for a moment, what we say takes on a physical presence.

02 / FILMGFT PRODUCTION
ÉTM as in…Place the MP4 in media to enable playback
SCULPTURE / FILM

M as in…

I love the idea that a letter can become a sculpture, and that a sculpture can, in turn, open up a multitude of words.

Here, the letter M is reduced to its essential form. Its three successive rises trace a movement from verticality towards horizontality. The form seems gradually to settle into stillness, until it becomes a place where one can pause, sit down and look around.

On a monumental scale, the M thus leaves the realm of writing and enters that of space. It becomes a presence that can be discovered from a distance, approached, walked alongside and, ultimately, inhabited.

M as in… Mille (thousand), Magnifique (magnificent), Merveilleux (wonderful), Mère (mother), Monde (world), Mer (sea), Montagne (mountain), Lumière (light), Mémoire (memory), Matière (matter), Mouvement (movement), Musique (music), Matin (morning), Mystère (mystery), Magie (magic), Maison (home), Main (hand), Moment (moment), Merci (thank you), Mélodie (melody)…

And also as in first names: Martin, Marie, Margot, Manon, Madeleine, Mathieu, Michel, Maxime…

Each word brings its own story, emotion and world of imagination. The sculpture does not offer a single, definitive meaning for the letter M; instead, it opens up a world of possibilities.

The black granite, a profound and timeless material, lends this form an almost primal strength. The rough-hewn section evokes the stone's origins, while the worked surfaces bear witness to the sculptor's hand.

And then there is the bench.

For at the end of its movement, the M simply offers a place.

A place to sit, to look, to be together or alone, to let a thought emerge.

M as in a beginning.

M as in a multitude of possibilities.

M as in a word that everyone can complete.

03 / FILMGFT PRODUCTION
ÉTPoint d’appuiPlace the MP4 in media to enable playback
SCULPTURE / FILM

Point d’appui

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